Elodie Lauten's Orfreo
Although I can’t sing a note I’ve been involved with opera for 25 years. I edited and published a libretto of Carlo Goldoni translated by W.H. Auden. The composer Elodie Lauten had set some of my poetry to music. Finally she asked me to write a libretto about a female Orpheus. I tried.
Unfortunately the opera director Jason Buzas told me there had been over 200 operas written about Orpheus. Was Eurydice to be a man? A Lesbian? I tussled and tussled until I finally thought of Ray Johnson. Orpheus had invented music; Ray had invented “correspondance (sic) art.” Ray was gay and had committed suicide in the Age of AIDS. I was working with Gregory Corso’s Italianate spelling of Orpheus, Orfeo. One day I heard a new word : OrphRAYo. Orfeo plus Ray equals Orfreo.
And so I wrote the libretto, with Elodie as dramaturge. It was produced by Elaine Comparone at Merkin Hall. And they made a film. And now the film’s sound has been newly enhanced, and the film will be screened: 5:30-6:00pm Saturday November 4 at New York Studio Gallery 511 W. 25th Street , #607.
Come see, come hear.
Unfortunately the opera director Jason Buzas told me there had been over 200 operas written about Orpheus. Was Eurydice to be a man? A Lesbian? I tussled and tussled until I finally thought of Ray Johnson. Orpheus had invented music; Ray had invented “correspondance (sic) art.” Ray was gay and had committed suicide in the Age of AIDS. I was working with Gregory Corso’s Italianate spelling of Orpheus, Orfeo. One day I heard a new word : OrphRAYo. Orfeo plus Ray equals Orfreo.
And so I wrote the libretto, with Elodie as dramaturge. It was produced by Elaine Comparone at Merkin Hall. And they made a film. And now the film’s sound has been newly enhanced, and the film will be screened: 5:30-6:00pm Saturday November 4 at New York Studio Gallery 511 W. 25th Street , #607.
Come see, come hear.
posted by Michael Andre at 9:01 AM
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